fokiartist.blogg.se

Stringed instrument
Stringed instrument













  • Brussels, Palais des Beaux-Arts, Exposition d’art français contemporain, November 19–December 11, 1938, pp.
  • London, Rosenberg and Helft, Recent Works of Braque, June 13–July 13, 1938, n.p.
  • Isabelle Monod-Fontaine, “From One Spance into the Other,” Georges Braque: Pioneer of Modernism, Exh.
  • John Golding, “Cezanne, Braque, and Pictoral Space,” Cézanne and Beyond, Exh, cat (Philadelphia Museum of Art, 2009) Fig 9.7, pp.
  • 80 (ill.), as Still Life with Fruit and Stringed Instrument, 1938. Edelstein, The Art Institute of Chicago: Twentieth-Century Paintings and Sculpture (Chicago: Art Institute, 1996), p. 1, ill.), as Still-life with a Mandolin, 1938.

    stringed instrument

    Green, Christopher, The European Avant-Gardes: Art in France and Western Europe, 1904–c.Mark Paris (New York: Abrams, 1980), cover (ill.). Cogniat, Raymond, Georges Braque, trans.(Paris: Ministère des affaires culturelles, Éditions des musées nationaux, 1973), pp. Richet, Michèle and Nadine Pouillon, Georges Braque, exh.25, ill.), as Nature morte au rouleau de musique, 1936-38. Segui, Shinichi, Braque/Léger (Tokyo: Shueisha, 1972), p.53, ill.), as Still Life with a Mandolin, Fruit and a Roll of Paper on a Table, 1936-38. Cooper, Douglas, Braque: The Great Years, exh.32, ill.), as Nature morte au rouleau de musique, 1936-1938. Braque (Paris: Nouvelles Éditions Françaises, 1970), n.p. 49, ill.), as Still Life with Fruit Dish and Mandolin, 1938. (Boston: Museum of Fine Arts, 1967), n.p. Museum of Fine Arts, One Hundred European Paintings & Drawings from the Collection of Mr.(Washington, D.C.: National Gallery of Art, 1967), n.p. National Gallery of Art, One Hundred European Paintings & Drawings from the Collection of Mr.116 (ill.), 216, as Nature morte au rouleau de musique, 1938.

    stringed instrument

    Fumet, Stanislas, Braque (Paris: Maeght, 1965), p.Miyagawa, Tadashi, Georges Braque (Tokyo: Bijutsu Shuppan-sha, 1963), p.40, ill.), as Nature morte a la mandoline, 1938. Leymarie, Jean, Braque (Geneva: Skira, 1961), pp.32, ill.), as Nature Morte au Rouleau de Musique, 1936-38. Worms de Romilly, Nicole, Catalogue de l’œuvre de Georges Braque, vol.(London: Arts Council of Great Britain, 1956), pp. “Living with the Great,” Vogue 120 (October 1, 1952), p.38, ill.), as Vruchten, glas en een mandoline, 1938.

    stringed instrument

    (Amsterdam: Stedelijk Museum, 1939), n.p. Stedelijk Museum, Parijsche Schilders, exh.(Brussels: Palais des Beaux-Arts, 1938), pp. Palais des Beaux-Arts, Exposition d’art français contemporain, exh.(London: Rosenberg and Helft, 1938), n.p. Rosenberg and Helft, Recent Works of Braque, exh.(114.3 × 145.5 cm) Credit Line Gift of Mary and Leigh Block Reference Number 1988.141.6 Copyright © 2018 Artists Rights Society (ARS), New York / ADAGP, Paris Extended information about this artwork Status On View, Gallery 394 Department Modern Art Artist Georges Braque Title Still Life with Fruits and Stringed Instrument Place France (Artist's nationality) Date 1938 Medium Oil and sand on canvas Inscriptions Signed, l.l.: "G Braque 38" Dimensions 45 × 58 in. “Echo answers to echo,” Braque once said, “everything reverberates”-even the work’s surface, which he enlivened with coarse sand. An example of what Braque called “rhyming shapes” and “metamorphic confusion,” the round fruits on the table mimic the holes of stringed instruments, and the curving lines of the mandolin evoke a fruit bowl. Among Georges Braque’s largest and most ambitious still lifes of the 1930s, Still Life with Fruits and Stringed Instrument features complex ornamentation and over-lapping, visually playful patterns that create rhythmic movement.















    Stringed instrument